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Up in the Old Hotel, by Joseph Mitchell
Ebook Free Up in the Old Hotel, by Joseph Mitchell
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Amazon.com Review
Journalist Joseph Mitchell, whose death in in May 1996 at the age of 87 merited a half-page obituary in the New York Times, pioneered a style of journalism while crafting brilliant magazine pieces for the New Yorker from the 1930s to the early 1960s. Up in the Old Hotel, a collection of his best reporting, is a 700-page joy to read. Mitchell lovingly chronicled the lives of odd New York characters. In the pages of Up In the Old Hotel, the reader passes through places such as McSorley's Old Ale House or the Fulton Fish Market that many observers might have found ordinary. But when experienced through Mitchell's gifted eye, the reader will see that these haunts of old New York possess poetry, beauty, and meaning.
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From Publishers Weekly
In this omnibus collecting decades of his work, Mitchell offers compassionate, wistful examinations of early-20th-century New Yorkers who existed on the margins of society. Copyright 1993 Reed Business Information, Inc.
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Product details
Paperback: 736 pages
Publisher: Vintage; Revised edition (June 1, 1993)
Language: English
ISBN-10: 0679746315
ISBN-13: 978-0679746317
Product Dimensions:
5.2 x 1.2 x 8 inches
Shipping Weight: 1.2 pounds (View shipping rates and policies)
Average Customer Review:
4.6 out of 5 stars
126 customer reviews
Amazon Best Sellers Rank:
#158,260 in Books (See Top 100 in Books)
ah, joseph mitchell...one of the cornerstones upon which the New Yorker was built.absolutely first rate, timeless writing about all sorts of subjects and a link to a long forgotten and wonderful time in NYC when you could get a 50 cent breakfast at a diner and everybody smoked everywhere and jews on the lower east side sold pickles and the cops were all irish and the women were all dames who weren't allowed in McSorley's . i'm not saying it celebrates sexism, i'm saying it captures new york in the forties and fifties.mitchell seeks out the lesser known aspects of new york life: gypsy families and lazy hot afternoons in the park and street preachers and kooks.his writing is graceful and elegant but simple and direct at the same time. just tells it like it is but with flair and no phony 'look at me! i'm a writer!' stuff.
I pride myself on the amount of reading I have done about New York City but I have to admit that my experience with Joseph Mitchell was extremely limited. I don't know why. It wasn't intentional; it just happened. So, I finally picked up this book, and now, wow! A part of me is full of regret: I had been missing so much. On the other hand, I am experiencing the writing of this great essayist and storyteller for the first time. And as with everything in life that is pleasurable, the first time is usually the best. I am living it up.Joseph Mitchell and his people occupied a New York before my time. (Even though he had passed away when I was quite young, he hadn't published much for years because of his infamous writer's block.) What Mitchell presents is the dirt under New York's fingernails. The characters all live on the cliched fringes of the metropolis. And if they weren't the patrons of McSorley's or some dive or flophouse, they were just as iconic as The Empire State Building or a Lower East Side tenement. As others have mentioned, the Joe Gould essay is as poignant and fascinating as essays get.When I had first heard of Mitchell and his milieu, the words grittiness and realism always seemed to be the adjectives surrounding his work. Immediately, the photographs of the legendary Arthur "Weegee" Fellig came to my mind. However, after reading these tales, this comparison utterly falls on its face. Weegee's works, as much as I admire them, were often staged, and even the ones that weren't have a self-conscious shock value attached. Mitchell's "grittiness" and "realism" is actually naturalist. There is an acceptance, respect and grace to his subjects, and in the writing surrounding the people and places he is describing for us. He had no need to embellish or stage anything. And, for me, a first time reader, this is the biggest source of my enjoyment.Nice meeting you, Mr. Mitchell. And thanks.
One of my favorite collections of true stories from NYC in the mid third of the 20th century. Joe Mitchell was one of the most interesting staff writers at the excellent "New Yorker" magazine. Whatever the subject matter of his stories, I am interested in them to the point where I can't put them down. Since first reading this collection upon its initial printing in about 1992, I have visited NYC 7 times just to walk the streets and visit places that he writes about. (I took in a few shows and museums as well). Much of this New York is gone, but sometimes you look down a lower Manhattan street lined with old buildings and one of his stories comes flooding back. McSorley's wonderful saloon is a good example. From stuff found on the bottom of the harbor to exploring the old abandoned hotel of the title story, to the life and culture of city gypsies and climbing an old clock tower or exploring a freedman's 19th century graveyard on Long Island, I love this collection.
Mr Mitchell is an amazing storyteller. . The titles are unusual, such as "Mr. Hunter's Grave". And "McSorley's Wonderful Saloon". In all of[them, it's as if you were there with him and listening to it all. Most of his stories are from the 1930s and 1940s. The date is listed at theend of each story. I remember visiting Hubert's Museum and Flea Circus on 42nd Street as a Teenager. He describes his visit in"Lady Olga". True story, the Fleas were real. Do not miss a chance to read this book.
An essential book in any collection. One of the greatest essayists of all time explores his love of New York City and the remarkable characters within, in a loving, graceful, quirky, absolutely unique voyage into the sepia streets and alleys of Manhattan in the first half of the 20th Century. If I had to take only five books with me into the next life, this would be one of them.
This is a huge collection of Mitchell's writing -- both fiction and non-fiction. I enjoyed the non-fiction much more, but it is all worth reading.I read it over several weeks, a piece or two at a time, and it was always a pleasure to enter his world. Especially interesting was his piece on Joe Gould, a local character who was supposedly working on a massive work of oral history. In "Professor Sea Gull," Mitchell describes Gould, his project, and his unusual lifestyle. In Mitchell's final published work, "Joe Gould's Secret," he revisits the story after Gould's death. Although he would live thirty more years, it was the last thing Mitchell ever published, making his look into Gould's failure to complete his work even more haunting.Highly recommended to those who enjoy 20th century history, personal profiles, or excellent writing. Mitchell's style is so graceful and easy to read that it is easy to miss how much of a style it really is.
This is one of the masterpieces of American non-fiction. I was having a copy sent to a good friend, a fine writer himself, who had not known of Mitchell or his work before.Unfortunately, the new paperback copy I ordered for him arrived missing every page, including the table of contents, up to page thirteen, my friend reported on receiving the book. (I photocopied and sent to him the missing pages from my own volume of the same edition. But I think Amazon ought to send him a new copy, with all the pages included.)
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